| Stieg Larsson | |
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| Born | 15 August 1954 Skelleftehamn, Sweden |
| Died | 9 November 2004 (aged 50) Stockholm, Sweden |
| Occupation | Journalist, Novelist |
| Nationality | Swedish |
| Education | 1979 |
| Period | 1990s–2004 |
| Genres | Crime fiction, Thriller |
| Notable work(s) | Millennium series |
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stieglarsson.se |
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Karl Stig-Erland "Stieg" Larsson ( /stiːɡ ˈlɑrsən/; Swedish pronunciation: [ˈkaɭ ˈsti:ɡ ˈæɭand ˈlaʂɔn]; 15 August 1954 – 9 November 2004) was a Swedish journalist and writer, born in Skelleftehamn outside Skellefteå. He is best known for writing the "Millennium series" of crime novels, which were published posthumously. Larsson lived and worked much of his life in Stockholm, in the field of journalism and as an independent researcher of right-wing extremism.
He was the second best-selling author in the world for 2008, behind Khaled Hosseini. By March 2010, his "Millennium series" had sold 27 million copies in more than 40 countries, its last part, The Girl Who Kicked the Hornets' Nest being the most sold book in the United States in 2010 according to Publishers Weekly.[1][2][3]
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Stieg Larsson lived with his grandparents until the age of nine in Västerbotten County. In the book "There Are Things I Want You to Know" About Stieg Larsson and Me (Seven Stories Press, June 2011), Eva Gabrielsson describes this as Larsson's motivation for setting part of his first novel The Girl with the Dragon Tattoo in northern Sweden, which Gabrielsson calls "godforsaken places at the back of beyond." Larsson lived with his grandparents in a small wooden house in the country which he loved. He attended the village school in Önnesmark and used cross-country skis to get to and from school every day. He was not as fond of the urban environment in Umeå where he moved to live with his parents after his grandfather, Severin Boström, died of a heart attack at age 56. His mother Vivianne also died at a young age in 1991 from complications with breast cancer and an aneurysm.[4]
Larsson's first fiction writing efforts were not in crime fiction, but in science fiction. An avid science fiction reader from an early age, he became active in Swedish science fiction fandom around 1971, co-edited with Rune Forsgren his first fanzine, Sfären, in 1972, and attended his first science fiction convention, SF•72, in Stockholm. Through the 1970s, Larsson published around 30 additional fanzine issues; after his move to Stockholm in 1977 he became active in the Scandinavian SF Society where he was a board member in 1978 and 1979, and chairman in 1980. In his first fanzines, 1972–1974, he published a handful of early short stories while submitting others to other semi-professional or amateur magazines. He was co-editor or editor of several fanzines, including Sfären and FIJAGH!; in 1978–1979 he was president of the largest Swedish science fiction fan club, Skandinavisk Förening för Science Fiction (SFSF).
In early June 2010, manuscripts for two such stories, as well as fanzines with one or two others, were noted in the Swedish National Library (to which this material had been donated a few years earlier, mainly by the Alvar Appeltofft Memorial Foundation, which works to further science fiction fandom in Sweden). This discovery of what was called "unknown" works by Larsson caused considerable publicity.[5]
Larsson's first name was originally Stig which is the standard spelling. In his early twenties, he changed it to avoid confusion with his friend Stig Larsson, who would go on to become a well-known author well before Stieg did.[6][7] The pronunciation is the same regardless of spelling.
Larsson was politically involved with the Kommunistiska Arbetareförbundet (Communist Workers League) while working as a photographer, and one of Sweden's leading science fiction fans.[8] In politics he was the editor of the Swedish Trotskyist journal Fjärde internationalen, journal of the Swedish section of the Fourth International. He also wrote regularly for the weekly Internationalen.[9]
Larsson spent part of 1977 in Eritrea, training a squad of female Eritrean People's Liberation Front guerrillas in the use of grenade launchers. He was forced to abandon that work due to having contracted a kidney disease.[10] Upon his return to Sweden, he worked as a graphic designer at the largest Swedish news agency, Tidningarnas Telegrambyrå (TT) between 1977 and 1999.[9]
Larsson's political convictions, as well as his journalistic experiences, led him to found the Swedish Expo Foundation, similar to the British Searchlight Foundation, established to "counteract the growth of the extreme right and the white power-culture in schools and among young people."[11] He also became the editor of the foundation's magazine, Expo, in 1995.
When he was not at his day job, he worked on independent research of right-wing extremism in Sweden. In 1991, his research resulted in his first book Extremhögern (Extreme Right). Larsson quickly became instrumental in documenting and exposing Swedish extreme right and racist organizations; he was an influential debater and lecturer on the subject, reportedly living for years under death threats from his political enemies. The political party Sweden Democrats (Sverigedemokraterna) was a major subject of his research.[11]
When Larsson died, it was discovered that he had left behind manuscripts of three completed but unpublished novels written as a series. He had written them for his own pleasure after returning home from his job in the evening, and had made no attempt to get them published until shortly before his death. The first was published in Sweden in 2005 as Swedish: Män som hatar kvinnor – literally – Men who hate women. It was titled for the English market as The Girl with the Dragon Tattoo, and published in the United Kingdom in February 2008. It was awarded the Glass Key award as the best Nordic crime novel in 2005. His second novel, Flickan som lekte med elden (The Girl Who Played with Fire), received the Best Swedish Crime Novel Award in 2006, and was published in the United Kingdom in January 2009. The third novel in the Millennium series, Luftslottet som sprängdes ("The air castle that was blown up"), published in English as The Girl Who Kicked the Hornets' Nest, was published in the United Kingdom in October 2009, and the United States in May 2010.
Larsson left about three quarters of a fourth novel on a notebook computer, now possessed by his partner, Eva Gabrielsson; synopses or manuscripts of the fifth and sixth in the series, which he intended to contain an eventual total of ten books, may also exist.[12] Gabrielsson has stated in her book, "There Are Things I Want You to Know" About Stieg Larsson and Me (Seven Stories Press, June 2011) that finishing the book is a task that she is capable of doing.[13]
The Swedish film production company Yellow Bird has produced film versions of the Millennium series, co-produced with The Danish film production company Nordisk Film and TV company, which were released in Scandinavia in 2009.
Larsson died 9 November 2004 in Stockholm at the age of 50 of a heart attack after climbing seven flights of stairs to his office because the lift was not working.[14] There were rumours that his death was in some way induced, because of death threats received as editor of Expo, but these have been denied by Eva Gedin, his Swedish publisher.[15] Stieg Larsson is interred at the Högalid church cemetery in the district of Södermalm in Stockholm.
In May 2008, it was announced that a 1977 will, found soon after Larsson's death, declared his wish to leave his assets to the Umeå branch of the Communist Workers League (now the Socialist Party). As the will was unwitnessed, it was not valid under Swedish law, with the result that all of Larsson's estate, including future royalties from book sales, went to his father and brother.[16][17] His long term partner Eva Gabrielsson,[18] who found the will, has no legal right to the inheritance, sparking controversy between her and his father and brother. Reportedly, the two never married because, under Swedish law, couples entering into marriage are required to make their addresses (at the time) publicly available; marrying would have been a security risk.[19] Owing to his reporting on extremist groups and the death threats he had received, the couple had sought and been granted masking of their addresses, personal data and identity numbers from public records, to make it harder for others to trace them; this kind of "identity cover" was integral to his work as a journalist and would have been difficult to bypass if the two had married or become registered partners.
An article in Vanity Fair magazine discusses Gabrielsson's dispute with Larsson's relatives, which has also been well covered in the Swedish press. She claims the author had little contact with his father and brother and requests the rights to control his work so it may be presented in the way he would have wanted.[20] Larsson's story was featured on the October 10, 2010 segment of CBS News Sunday Morning. In this segment Larsson's family claims the fourth and as yet unpublished book is actually the fifth book.[21]
Through his written works, as well as in interviews, Larsson acknowledged that a significant number of his literary influences were American and British crime/detective fiction authors. His heroine has some similarities with Carol O'Connell's "Mallory," who first appeared in Mallory's Oracle in 1994. In his work he made a habit of inserting the names of some of his favourites within the text, sometimes by making his characters read the works of his own favorite authors. Topping the list were Sara Paretsky, Agatha Christie, Val McDermid, Dorothy Sayers, Elizabeth George and Enid Blyton.[22] One of the strongest influences originates from his own country: Pippi Longstocking, by Sweden's much-loved children's author Astrid Lindgren. Larsson explained that one of his main recurring characters in the Millennium series, Lisbeth Salander, is actually fashioned on a grown-up Pippi Longstocking as he chose to sketch her.[23]
When Larsson was 15 years old, he witnessed the gang rape of a girl, which led to his lifelong abhorrence of violence and abuse against women. His longtime partner, Eva Gabrielsson, writes that this incident "marked him for life" in a chapter of her book that describes Larsson as a feminist.[4] The author never forgave himself for failing to help the girl, and this inspired the themes of sexual violence against women in his books.[24] According to Gabrielsson, the Millennium trilogy allowed Larsson to express a worldview he was never able to elucidate as a journalist. She described, with a great deal of specificity, how the fundamental narratives of his three books were essentially fictionalized portraits of the Sweden few people knew, a place where latent white supremacy found expression in all aspects of contemporary life, and antiextremists lived in persistent fear of attack. “Everything of this nature described in the Millennium trilogy has happened at one time or another to a Swedish citizen, journalist, politician, public prosecutor, unionist or policeman,” she writes. “Nothing was made up.” [4][25]
There are also similarities between Larsson's Lisbeth Salander and Peter O'Donnell's Modesty Blaise.[26][27][28][29] Both are women from disastrous childhoods who somehow survive to become adults with notable skills, including fighting, and who accomplish good by operating somewhat outside the law. One of Larsson's villains, Ronald Niedermann (a.k.a. "blond hulk"), has much in common with the invulnerable, sociopathic giant named Simon Delicata in the fourth Modesty Blaise book A Taste for Death.
The Millennium series:
Stieg Larsson is the first author to sell more than one million e-books on Amazon.com.[37]
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